This ongoing series of photographic works combines carefully arranged still lifes and self stagings of the artist. Beginning in 2018, within the digital era of self presentation, the artist began to transform herself into an almost inhuman sculpture, challenging the norms on how to present oneself on social media. Using random objects she had in her home, like food, jewelry or plastic plants, she soon created a unique aesthetic between glamour and disgust. The works explore our growing alienation from the outside world, on to an artificial world, where everyday objects become bizarre and seem to have lost their original meaning. An absurd fantasy evolves.
Murder in Paradise, 2018, 64 x 80 cm
The Eyes Eat First, 2019, 64 x 80 cm
This is not a Handbag, 2018, 64 x 80 cm
The Icon, 2018
A Slice of Evidence, 2018, 64 x 80 cm
Disguised Disgust, 2018, 50 x 50 cm
Plastic Water, 2019
False Fantasies, 2018, 64 x 80 cm
Modern Cake, 2018, 60 x 45 cm
Dinner to Go, 2020, 120 x 80 cm
Violent Glamour, 2019, 92 x 120 cm
The Fountain of Eventual Reality, 2019
Fastfood, 2018, 56 x 70 cm
The Geometry of Chaos, 2020
Forgotten Fantasies, 2018, 64 x 80 cm
The Edge of a Circle, 2019, 120 x 80 cm
Ear Cleaning, 2019
Virtual Water, 2020, 120 x 80 cm
Absurd Routine, 2018, 64 x 80 cm
Alien Shopping, 2021, 80 x 120 cm
Garden Sculpture, 2020, 120 x 80 cm
Midnight Meal, 2019
Extra White, 2019
Fashionable Ketchup, 2019, 120 x 80 cm
Brainwashing, 2018
Opulent Horror, 2024, 80 x 120 cm
The Big Dream, 2019, 57 x 70 cm
Monarchy and Daily Life, 2024
Dinner in Heaven, 2024, 120 x 80 cm
Please do Disturb, 2019
Rare Reality, 2022, 67 x 100 cm
Inside, 2019, 52 x 70 cm
This is not a Fairytail, 2024, 120 x 80 cm
Beauty and Brutality, 2024, 80 x 120 xm
Pretended Pleasures, 2024, 80 x 120 cm
The American Dream, 2023, 120 x 80 cm
Specific Substances, 2023
Ketchup in Space, 2024, 80 x 120 cm
The Purpose of a Chandelier in the Desert, 2024, 80 x 120 cm
Exclusive Expectations, 2024, 120 x 80 cm
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